Embroidery

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set against an oak-stained wood panel is a piece of textile art depicting a bedroom. It is in a state of dilapidation, with frayed curtains on the window, a framed picture hung at an angle, a dying plant on the shelf and clothes strewn on the floor. Central to the bedroom is a hospital bed, with barriers up at the sides, and laid in this is a bug, with iridescent gilding in oranges and greens, it's legs protruding out from the frame with the use of articulated wires. Various medical tools, such as a sharps bin, a tiny TENS machine, and a walking stick, are propped up around the bed. The scene feels vulnerable, as if peeking into someone's private domain. The use of the bug in the middle makes the viewer pause, and reconsider both the title and meaning behind the piece.
Kafka’s Sick Bed (2025), W29.7 x H20.5 x D1.8cm, £385
A close up of a piece of textile art, depicting a window covered in fraying curtains, a lamp on a side table, a hospital bed table, a TENS machine, a book lying open on the floor, and a walking stick propped against the table. The images have been created using fabric scraps, embroidery, wire and tiny scraps of paper.
A close up of a piece of art that shows a framed images of hills that has been created using tiny stitches in cream, blue, white and shades of green. To the edge of the frame is a dying plant on a shelf, and a bug in a bed, created using fabric scraps and embroidery
A close up of a piece of textile art. Depicted is a framed picture hung askew on a wall. The image is made up of a scrap of fabric, that has been carefully stitched around to create the frame.
A close up of a piece of textile art that shows a bug in a hospital bed, surrounded by a sick bowl and dying plants. The bug's arms are made from wire, and have been articulated outwards to create a 3d effect. Its body is gilded with iridescent flakes in burnt orange, green and gold, reminding the viewer of a box of jewellery or chocolate wrappers. Embroidery stitches and details of fabric scraps are delicately used to make up the imagery

Kafka’s Sick Bed reimagines Kafka’s The Metamorphosis through the lens of disability. It asks what our life, our relationship with our bodies, and the reactions of others might look like if illness suddenly transformed our world into something unrecognisable. Images familiar to Dobson’s lived experience of disability, such as neglected houseplants, mobility aids and a TENS machine, have been brought to life using a variety of textile techniques and scrap materials.

Themes of decay and disrepair come through not just in the visual imagery, but also in the methods used, such as rust dyeing and distressing fabric. Nevertheless, the gilded bug at the centre of the work shines through, showing there is still beauty to be found in the disabled body, even if it looks very different to one we have come to expect.

This work responded to Farfield Mills’ prompt of ‘metamorphosis’ for their 2026 textile competition, and was selected to be shown during their exhibition throughout March-May 2026.


Textures of Pain I (2025) Fabric painting, hand embroidery. Calico, acrylic inks, recycled batting, felted cashmere, cotton threads, acrylic yarn. 24W x 17.5H cm. £225
A piece of calico has been rust dyed, resulting in bursts of orange in varying hues across the fabric. Into this, tiny stitches in orange and gold have been made to resemble embers of a fire. The edges of the fabric have been left raw, and it has been hammered into a piece of mahogany coloured wood with antique nails.
Textures of Pain II (2025) Rust dyeing, hand embroidery. Calico, cotton and metallic threads, antique nails, hardwood. 19.5W x 25.2H cm. £225

Textures of Pain (2025- ongoing) is an exploration in visualising my chronic pain. A near-universal experience, pain still manages to transcend language in our ability to convey what we’re feeling. This work is a response to questions asked of my pain during meditative approaches to making peace with it. Questions such as: “What texture are you?”, “Where do you live?” and “What is your trajectory?”. This approach of curiosity has been a long-standing way for me to manage the distress associated with chronic pain, and approach it from an alternative perspective to the traditional confines of a scale from 1-10.


A piece of off-white calico has been painted with abstract interlocking circles in yellows and pinks. On top of this, ecoprinting with leaves and berries has resulted in green leaf shapes and mottled purples dotted around the background. In the foreground, dried seed heads and flower stems have been embroidered onto the surface using couching stitch.
New Reach (2025) Fabric painting, ecoprinting, hand embroidery. Calico, natural dyes, plant material, thread. 19W x 13.5H cm. £70

Interrupted Desire Lines (2024) Hand embroidery. Found maps, tissue paper, shoe lace, acrylic yarn, cotton embroidery floss. 12W x 19H cm £75

Mum & Dad’s Allotment (2021) Hand embroidery. Found maps, cotton embroidery floss. NFS

Finn Dobson

© Finn Dobson 2026

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