


Home (2025) is about the specific types of warmth and joy found in the love extended to me by my trans crip* kin. Inspired by vintage filet crochet patterns and the 8-bit art of the late 20th Century, the work uses traditional techniques to evoke feelings of comfort and nostalgia in the viewer. This classic technique used in home-making, combined with progressive messaging, seeks to (re)affirm the place of trans and disabled bodies within home and family life, as well as celebrating the kinds of homes we make for ourselves with our chosen family.
*crip is a political and cultural disabled identity that makes use of a reclaimed slur.


Mantra for Unmasking (2024) (detail) Tapestry & intarsia crochet, cotton and acrylic yarn, wooden dowel. W62 x H41cm. £225
As a late-diagnosed Autistic, this phrase has been a mantra for me in unmasking and coming to accept my resting face. The bright sweetshop colours of the yarn contrast the neutral face within the first line, emphasising how my expression doesn’t always convey the emotions I am feeling inside.

Photo by Rachel O’Leary, used with permission